Sex and Gender: The Biochemistry and Neuroscience of the Transgender Phenomenon

Possibly the most important part of the mental model humans construct is their mental model of themselves. This is what we call our identity. It takes all the beliefs we have about ourselves and attempts to put them together into an internally coherent whole. Some of our most cherished political, religious, racial, and gender thoughts about ourselves tells us who we are and how we ought to interact with the world.

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Does Journalism = Activism?

I just read this piece by conservative Christian Rod Dreher commenting on this story by Anthony Borrelli and Katie Sullivan Borrelli in the Ithaca Journal newspaper. Dreher says that this is tantamount to the Ithaca Journal getting permission from a commissar, which makes the story propaganda for the LGBTQ agenda. Is Dreher right about this?

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Structure of the Mind

Consciousness and qualia are problems that are still unsolved by philosophy, psychology, and neuroscience. My way of viewing consciousness and qualia is that consciousness is the process by which our brains organize the world into working models and qualia is the ‘stuff’ that consciousness uses to generate those models. For better or worse, both of these exist due to evolutionary forces. That means they’re fine tuned to a very specific sort of survival, not for any pure understanding of the world or ourselves. In order to understand the limitations of our own minds, we need to know the inner workings of how the world is organized in our minds on a fundamental level. That requires knowing the structure of our minds.

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Should LGBTQ+ Characters in Literature Always Make a Cultural Statement?

I am a heterosexual, cisgender, white male. A character in my novel “Incarnate: Existence” is a Japanese transgender woman. For some people this is probably already ‘problematic’ – I, of course, do not and cannot know the experiences of a non-white and transgender person. That could certainly be an article all in itself, whether someone like me should be “allowed” to write this kind of character, and I’ve tangentially written about this idea before. But that’s not what this article is about. I’m interested if, in general, a character in a creative work (book, movie, TV show, etc.) who is LGBTQ+ should always and necessarily be written to make a political or cultural statement, or can the character exist as they are without attempting to make a statement?

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