Mesh networks figure extensively in my Incarnate series. They’re used by the forty-eights – and others – as a way to run parallel ‘internets’ so as not to be tracked on the original internet. But mesh networks are not all science fiction – they’re actually being used in the real world.
Consciousness and qualia are problems that are still unsolved by philosophy, psychology, and neuroscience. My way of viewing consciousness and qualia is that consciousness is the process by which our brains organize the world into working models and qualia is the ‘stuff’ that consciousness uses to generate those models. For better or worse, both of these exist due to evolutionary forces. That means they’re fine tuned to a very specific sort of survival, not for any pure understanding of the world or ourselves. In order to understand the limitations of our own minds, we need to know the inner workings of how the world is organized in our minds on a fundamental level. That requires knowing the structure of our minds.
After two years of investigation and constant media coverage, the Mueller Report is finally finished. While anyone outside the Justice Department has yet to read the full report, Attorney General William Barr has released a summary. The so-called Russiagate story is not yet over, however, as there are now calls for the entire Mueller Report to be made public. Exactly what the Russiagate story is and how it started is expertly told by Matt Taibbi in his “It’s official: Russiagate is this generation’s WMD” piece. What I’m more interested in is how this whole story is indicative of human nature.
In this post, I am going to write a response/review of Jordan Peteron’s 2017 lecture titled Biblical Series I: Introduction to the Idea of God, which is available to watch on Youtube.
Liberalism, defined here in the classical sense of the enlightenment values of civil liberty and economic freedom, not a narrow left-leaning ideology, holds individual freedom above all else. In the U.S. both the left and right, except on the extremes of both, fall into the classical liberalism philosophy. Ideas that could be considered pre-cursors to liberalism began developing in the late seventeenth and early eighteenth century. But it was the American Revolution and French Revolution that put liberalism into practice. That means the experiment has been running for a little over two hundred years. Can we draw any conclusions from the results?
I am a heterosexual, cisgender, white male. A character in my novel “Incarnate: Existence” is a Japanese transgender woman. For some people this is probably already ‘problematic’ – I, of course, do not and cannot know the experiences of a non-white and transgender person. That could certainly be an article all in itself, whether someone like me should be “allowed” to write this kind of character, and I’ve tangentially written about this idea before. But that’s not what this article is about. I’m interested if, in general, a character in a creative work (book, movie, TV show, etc.) who is LGBTQ+ should always and necessarily be written to make a political or cultural statement, or can the character exist as they are without attempting to make a statement?
Automation of low-skill jobs could spell disaster in our future. Right now, the U.S. and western culture in general is faced with a growing racial divide. What if I told you that one problem could be used to fix the other?
Social media, and twitter in particular, has recently become popular in the conversation about freedom of speech. This surrounds the issue of Twitter punishing people for posting right-wing and conservative ideas more than people on the left. Alex Jones being banned and Kathy Griffin not being banned are two exemplary cases.
The fear here is that Twitter is policing people for wrongthink. Only left-wing and liberal ideas are allowed, and with Twitter being a primary hub for communication, this threatens to silence right-wing and conservative views from the public conversation. This would give left-wing and liberal ideas de facto hegemony in western culture. This has prompted people to call for Twitter usage to be treated like a utility or even a human right, in the sense that humans have a right to free speech.
I think this is a misguided way of thinking about Twitter. Being banned from Twitter does not infringe on a person’s right to free speech. It only infringes on their ability to have that speech heard by a larger audience. This brings up the questions: do humans have a fundamental right to be heard? Is being heard a part of our right to free speech?
In this day and age, with social media and politically biased news media, it seems that truth isn’t truth. Thus it has become popular to talk about ‘my truth‘ when people talk about their opinion. It’s interesting that people can believe wildly different versions of things that happen. From Russiagate to Uranium One, it all seems to depend what ‘our truth’ is for any particular group.
The alternative, unfortunately, is to have some version of a single, orthodox ‘right Truth’ that we all must agree on, possibly enforced by a Ministry of Truth or a Truth Force.
I’m okay with a US Space Force. But what we need most is a Truth Force — one that defends against all enemies of accurate information, both foreign & domestic.
— Neil deGrasse Tyson (@neiltyson) August 20, 2018
The problem with this is obvious: who gets to say what the Right Truth is? What are their motivations for saying that A is the Right Truth but B is not the Right Truth? Is it ever possible for one source to give the truth, the whole truth, and nothing but the truth?
Two instances in which so-called cultural appropriation occurring in the film industry have been pointed out recently. The first is the case of Ruby Rose, who was slated to play Kate Kane aka Batwoman in a new series. The character (since her 2006 incarnation) is both Jewish and lesbian; Ruby Rose is not Jewish and identifies as genderfluid. This discrepancy between the actor and the character led to social media backlash that resulted in Ruby Rose quitting Twitter. The second case, which hasn’t received as much attention (at least not in as far as it could be construed as cultural appropriation) is the possibility of Idris Elba being cast as the next James Bond. Richard Spencer posted a Twitter thread saying:
“Let there be no mistake, a Black James Bond would be an act of dispossession far greater than a flotilla of a million refugees. Refugees are, after all, refugees. James Bond is a symbol of British identity—indeed, the British empire—and of European masculinity writ large.”
Both of these cases aren’t exactly the same. They’re different in that the first one is outrage toward the actor not meeting strict intersectional criteria imposed by the audience while the second one is outrage toward the creators for making a creative decision about the character itself (the particular actor Idris Elba is incidental in this case).
However, the logic in both cases is similar: the fictional character and the non-fictional person portraying the character must have exactly the same background and identity.